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Mackie CR 1202-VLZ Mixer
 The MS1202-VLZ has recorded symphonies
and audiophile acoustic guitar albums, done network television
and radio broadcasts, and more. Why? Because it is a Mackie.
That means features, reliability, and affordability. And in
the case of the 1202-VLZ, ultra-compact-ability.
We
call the MS1202-VLZ the "Swiss Army Knife®" of compact mixers
because of its many uses. Some people use it as their only
mixer in a small studio or multimedia/video post suite. Big
name producers and engineers use them for their high quality
mic preamps -- they've got the headroom and low noise
characteristics of those on very expensive mixing consoles (or
as the British call them, "desks"). Quiet enough to record
audiophile discs, the MS1202-VLZ makes use of Mackie's VLZ®
circuit design, just like all of our compact
mixers.
Other features of the MS1202-VLZ include:
3-band EQ, Mute/Alt 3-4 for an extra stereo bus on a 2-bus
mixer, low cut filter on mic channels (1-4) for eliminating
mic thumps and wind noise from your mix, Control Room/Phones
matrix for routing flexibility, balanced inputs and outputs
(except headphones, channel inserts, and RCAs), and balanced
XLR main outputs.
If you're looking for a compact mixer
that packs an impressive punch, the MS1202-VLZ is it.
- 4 high headroom/low noise mic
preamps
- Low cut filter on mic channels
(1-4)
- 3-Band EQ (12kHz, 2.5kHz, 80Hz)
- Mute/Alt 3-4 for extra stereo
bus
- Control Room/Phones assign
matrix
- Balanced inputs and outputs
(except inserts, phones, RCAs)
- Balanced XLR & 1/4" main
outputs
- VLZ® circuitry for low noise and
dynamic programming
- Built-in power supply
- An "audio toolbox" for all
applications!
Mackie CR
1402-VLZ Mixer
 Is it the CR1604-VLZ's little brother,
or the MS1202-VLZ's big brother? Who cares? It's all
relative.
The MS1402-VLZ is a fantastic and affordable
tool for all sorts of mixing environments. Name your
application: video post-production, live club performance,
multimedia, home studio, corporate boardroom -- there is much
to like about the 1402-VLZ.
With 6
high-headroom/low-noise mic preamps, 60mm faders, 3-band EQ,
mute and solo switches, and ample routing flexibility, you'll
find the MS1402-VLZ everywhere. A low cut filter on mic
channels 1-6 lets you cut out mic thumps and room rumble
without sacrificing your low frequency EQ. The Control
Room/Phones matrix makes mixdown routing a snap. And the
Mute/Alt 3-4 features gives you two more output sources,
effectively turning this 2-bus board into a 4-bus
problem-solver.
Carrying on the tradition of
high-quality affordable compact mixers, the MS1402-VLZ is
built-like-a-tank tough, features our VLZ® circuitry for low
noise and high headroom, and of course, comes with the Mackie
reputation for reliability and user-friendliness. You won't
find a more feature-laden mixer in the MS1402-VLZ's price
range.
- 6 high headroom/low noise mic
preamps
- Low cut filter on mic channels
(1-6)
- 3-Band EQ (12kHz, 2.5kHz, 80Hz)
- 60mm log-taper faders for
consistent fades
- PFL/AFL solo on all channels
(globally switchable)
- Mute/Alt 3-4 for extra stereo
bus
- Control Room/Phones assign
matrix
- Balanced inputs and outputs
(except inserts, phones, RCAs)
- Balanced XLR main outs &
1/4" main outs
- VLZ® circuitry for low noise and
dynamic programming
- Built-in power supply
Mackie CR
1604-VLZ Mixer
 Mackie's CR1604-VLZ is a feature-packed
update of what was already a feature-packed classic compact
mixer. We collected all the comments from warranty cards sent
in for the original CR-1604, and we listened to what our
customers wanted. We designed the CR1604-VLZ with those
comments in mind -- yet, we didn't let that advice go to our
collective head.
All too many times a manufacturer
forgets what made the first version of a product successful
when it comes out with a "new improved" model. Our CR1604-VLZ
maintains the original's sound quality, musical equalization,
and rugged construction, and keeps intact the
multi-configuration possibilities, too.
For one thing,
the CR1604-VLZ is a true 4-bus mixer. With channel assigns to
buses 1-2, 3-4, and main L-R, sub mixes are easy. How about
sixteen -- 16! -- high-headroom/ low-noise mic preamps? OK.
And the new trim control gain structure for both mic and line
inputs allow the 1604-VLZ to handle everything from ultra hot
digital multitrack signals to the most timid of
vocalists.
EQ-wise, the CR1604-VLZ is not only 3-band
with 12kHz Hi and 80Hz Lo shelving EQ, its midrange
equalization is sweepable from 100Hz to 8kHz. The low cut
filter on every channel lets you cut unwanted low frequencies
like mic thumps and stage noise with one push of a button.
Your low frequency EQ needs can now be met with Lo shelving EQ
(rather than using the low EQ to do what the low cut filter
was meant to do in the first place).
- Inserts on every channel
- 60mm log-taper faders
- -20dB signal present LED that
doubles as a solo indicator
- Control Room outputs
- Mono output volume control
- AFL/PFL solo for easy level
setting and panning adjustments
- Aux Send 1 & 2 master
controls with individual solo switches and LEDs
- Effects Return to Monitor
controls for Aux Sends 1-2
- Control Room/Phones source
matrix for selecting any combination of Tape, Subs 1-2, Subs
3-4, and Main Mix sources
- Tape Input level control
- Tape to Main Mix switch
- Multi-configuration for easy
rackmounting and tabletop setups
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